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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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      <image:title>La Boheme (2022)</image:title>
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  </url>
  <url>
    <loc>https://www.atlantaconcertopera.com/tannhauser</loc>
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    <lastmod>2024-02-11</lastmod>
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  <url>
    <loc>https://www.atlantaconcertopera.com/susannah</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-01</lastmod>
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  <url>
    <loc>https://www.atlantaconcertopera.com/tannhauser-bios</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-02</lastmod>
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      <image:title>Tannhauser Bios - Make it stand out</image:title>
      <image:caption>William Green (Tannhäuser) | ACO Debut 2020, An Evening with the Bard William Green, tenor, made his professional debut with The Atlanta Opera in 2013 as Giuseppe in La traviata; he has sung with TAO in both comprimario roles as well as a core member of the chorus from 2012-2020. Mr. Green made his Capitol City Opera Company debut as Pedrillo in The Abduction from the Seraglio; in addition to joining CCOC in each of their main stage presentations, Mr. Green has also performed in their Dinner and a Diva and On the Light Side programs. In March 2020, he performed the role of Tybalt in Gounod’s Roméo et Juliette. Most recently he performed Canio in Pagliacci for their 2022 Dinner and a Diva series. He is also a co-manager of the Atlanta chapter of Opera On Tap. Mr. Green is a proud alumnus of the American Wagner Project through the Institute for Young Dramatic Voices. He is also pleased to work with the Wagner Society of Washington D.C., having performed multiple recitals for them.</image:caption>
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      <image:title>Tannhauser Bios - Make it stand out</image:title>
      <image:caption>Myka Murphy (Venus) | ACO Debut 2022, Beatrice and Benedict Hailing from Atlanta, GA, Myka Murphy is a mezzo-soprano, who has been described as “a (vocal) powerhouse...with an abundant quality of strength” (OperaWire). Ms. Murphy is thrilled to be performing Venus in Wagner’s Tannhäuser with Atlanta Concert Opera, the Alto Soloist in Mahler’s Das Lied von der Erde with Natchez Music Festival and Festival South, and being a part of the World Premiere of Waiting Rooms in Sacramento by friend and fellow Juilliard Alumni, Trey Makler. Most recently, she performed as the Alto soloist in the Messiah with Calvin University and returned to Opera Mississippi to perform in their double bill of Menotti’s the Medium as Madame Flora and Puccini’s Gianni Schicchi as Zita. Past performance highlights include: her Jackson Symphony debut as the mezzo soloist for Beethoven’s 9th Symphony and portraying Sorceress in the Juilliard School’s production of Dido and Aeneas with Juilliard’s Historical Performance ensemble—Juilliard 415, which traveled to London’s Holland Park and Versailles Opéra Royal. Ms. Murphy has a Masters of Music degree in Voice from The Juilliard School and a Bachelors of Music degree from the University of Southern Mississippi. She has completed the certificate program at the Opera Institute at Boston University. She is currently managed by Martha Wade of Wade Artist Management.</image:caption>
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      <image:caption>Michael O’Hearn (Landgrave) | ACO Debut Atlanta native Michael Blake O'Hearn has been hailed by critics for his abundance of personality, his authoritative singing and acting, and his wide impressive range and rich low tones. Enjoying a full and busy performing career, Michael has appeared in 89 roles to date and greatly anticipates adding to this total in coming seasons. Favorite roles include Pooh Bah in The Mikado, Dr. Bartolo in both Le Nozze di Figaro and II Barbiere di Siviglia, Dr. Dulcamara in L'elisir D'amore, Sulpice in La Fille du Regiment and the title roles of Don Pasquale and Gianni Schicchi; as well as the Oratorios Elijah, Messiah, Creation and the Requiems of Faure, Mozart, Brahams and Verdi. Mr. O'Hearn has previously been featured with the Amarillo Opera, Atlanta Opera, Augusta Opera, Bronx Opera, Chelsea Opera. DiCapo Opera Theater, Little Orchestra Society of New York, Long Island Choral Society, Mississippi Opera, National Lyric Opera, NYCO National Company, Opera Carolina, Opera Orchestra of New York, Oswego Opera, Piedmont Opera, Sarasota Opera Association and Tulsa Opera. He currently holds the Bass Staff Singer position at Fayetteville First United Methodist Church and formerly at Christ Church Bronxville, NY (with Philip Stopford.) Michael pursued a Vocal Performance Degree at Georgia State University and continued his studies with the American Institute of Musical Studies in Graz, Austria and has been a finalist and prize winner in the AIMS Meistersinger Competition. Michael studied privately in Atlanta with Elizabeth Nohe Colson and participated in the Sarasota Opera Association Apprentice Program. He has also served as Artist in Residence for the Long Island Choral Society and received the Choral Guild of Atlanta Fellowship for 8 consecutive seasons.</image:caption>
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      <image:caption>Daniel Weisman (Heinrich) | ACO Debut 2019, Le Nozze di Figaro As a young tenor and aspiring director, Daniel Weisman has been praised for his versatility as a performer and as a singer, impressing audiences with a “sweet and empathetic tenor” and “impactful gravitas” as an actor. On stage, Mr. Weisman began his career professionally in 2012 as the messenger, Giuseppe, in Jonathan Field’s setting of Verdi’s epic La Traviata while also having the privilege of covering both the roles of Gastone and Alfredo. Prior to the COVID-19 pandemic, Mr. Weisman enjoyed a bountiful career singing as a young artist with the Janiec Opera Company in Brevard, North Carolina, where he sang the role of Daniel Buchanan in Kurt Weill’s Street Scene, a role he had previously covered with the inaugural production of Nightingale Opera Theatre, this time under the direction of Dean Anthony and the baton of Robert Moody, also singing the role of Don Curzio in Le Nozze di Figaro during his time as a young artist. While finishing his master’s degree at Georgia State University, Mr. Weisman took backstage as the stage diretor for Small Opera Company’s Cosi fan Tutte while preparing to sing the role of The Witch in Carroll Freeman’s production of Hansel and Gretel. Beginning his work as a producer and director, Mr. Weisman has served as the assistant director for Peach State Opera Company in Kurt Zeller’s La Boheme as well as the assistant director for Capitol City Opera Company’s productions of La Traviata, Gianni Schicchi, Buoso’s Ghost, and Roméo et Juliette. An avid recitalist, Mr. Weisman has produced numerous concerts in and around the Atlanta area, including his Songs of War and Peace, which featured works by Barber, Heggie, Copland, Weill, and more alongside collaborative pianist Mauro Ronca. He served as the co-manager for Atlanta’s chapter of Opera on Tap from 2016-2020 and has appeared as a soloist with the Art Song Collective of Richmond, Kentucky, Newnan, Georgia’s Masterworks Chorale, The Atlanta Boy’s Choir, Georgia Tech Symphony, and many local Atlanta churches in oratorio and concert works from Bartok to Schubert. He made his Carnegie Hall debut in 2022 as the rehearsal cover for tenor soloist in Martini’s Domine, Ad Adjuvandum me Festina and Haydn’s The Heavens are Telling from The Creation.</image:caption>
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      <image:title>Tannhauser Bios - Make it stand out</image:title>
      <image:caption>Nicole Lewis (Shepherd) | ACO Debut Ms Lewis received her Bachelor of Music in vocal performance from Birmingham Southern College and Master of Music from Washington University in St Louis. She currently sings with the Atlanta Opera Chorus.</image:caption>
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      <image:title>Tannhauser Bios - Make it stand out</image:title>
      <image:caption>Jessica Crowell (Elisabeth) | ACO Debut Heralded as “delightful, with the right note of playfulness and a beautiful voice that projected clearly into the large auditorium” by Cleveland Plain Dealer, Ohio native soprano Jessica Crowell has begun launching a professional singing career. Jessica has had the pleasure of performing a world premiere of Beneath Suspicion, by award-winning composer Dr. Jesse Ayers, and was then named a semi-finalist for the American Prize “Ernst Bacon Award”. Ms. Crowell became a three-time Voices of Canton competition winner while completing her Bachelor of Arts at Malone University where, she was featured in roles including Susanna (Le Nozze di Figaro), Pamina (Die Zauberflöte) and the title role in Puccini’s Suor Angelica. Ohio audiences have also seen her as Magda in Menotti’s The Consul with Nightingale Opera Theatre’s Young Artist Program, Esmeralda (The Bartered Bride) and Papagena (Die Zauberflöte) with The Cleveland Opera. She was also featured as Lysia in Pittsburgh Festival Operas 2022 feature film of Mark Adamo’s Lysistrata. Jessica received her Masters degree studying under Robin Rice at The Shepherd School of Music at Rice University, singing the role of Vitellia in their 2020 production of La Clemenza di Tito and Donna Elvira in their 2022 production of Don Giovanni.</image:caption>
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      <image:caption>John Arnold (Wolfram) | ACO Debut John Arnold is an Atlanta-based singer, actor, writer, podcast host, and multi-instrumentalist. John has performed to great acclaim with opera companies and associated emerging and resident artist programs across the United States, including the Atlanta Opera, Boston Opera Collaborative, Des Moines Metro Opera, Detroit Opera, Kentucky Opera, Knoxville Opera, Madison Opera, the Merola Opera Program, and Opera New Jersey. He is also in demand as a concert and oratorio soloist and has built a reputation for delivering performances imbued with a unique combination of vocal clarity, elegant musicality, and dramatic sophistication. John lives in the Kirkwood neighborhood of Atlanta with his partner, the writer Drew Dotson (drewdotson.com), and their three beagles (threagles).</image:caption>
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      <image:caption>Michael Vavases (Walther) | ACO Debut Michael Vavases is a native of North Georgia with a Bachelor's degree in Vocal Performance from Reinhardt University in Waleska, GA. He performs regularly with churches around Atlanta and can be seen singing with Capitol City Opera a few months out of the year. All performances are dedicated to his wonderful fiancée/Physical Therapist.</image:caption>
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      <image:caption>August Bair (Biterolf) | ACO Debut 2019, Le Nozze di Figaro August Bair is an Atlanta native and graduated with a BA from Bard College’s undergraduate voice program in New York and went on to complete his masters in voice at Manhattan School of Music (MSM) in New York City where he sang the role of Count Carnero in Johann Strauss’s Der Ziguenerbaron. He sang in the Atlanta Opera’s 2019 productions of Dead Man Walking, Eugene Onegin, and La Traviata. With Brevard Music Center’s Janiec Opera Company, he has performed the role of Doctor Malatesta in Donizetti’s Don Pasquale, covered the roles of Papageno in Mozart’s The Magic Flute and Starveling in Benjamin Britten’s A Midsummer Night’s Dream, and debuted a major role in J. Mark Scearce’s new opera, Falling Angel. In the summer of 2015, August starred in Jonathan Sheffer’s contemporary opera Blood on the Dining Room Floor at the Napa Valley Music Festival. He was Mercutio in Capitol City Opera’s 2020 production of Roméo et Juliette.</image:caption>
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      <image:caption>Robin Sewell (Shepherd) | ACO Debut 2020, An Evening with the Bard Robin Sewell is a soprano from Newnan, Georgia. Since earning her Master of Music degree in Vocal Performance from Georgia State University, she has sung with the Atlanta Opera Chorus, Capitol City Opera Company, ATL Vocalite, and small opera company in Atlanta. Recently, she has enjoyed performing with Capitol City Opera's Madrigal Singers for their Boar's Head Feast and in the chorus of The Shining with The Atlanta Opera.  Upcoming performances include Mabel in Pirates of Penzance and Anna in Anna Bolena, both for Capitol City Opera's Dinner and a Diva.  Ms. Sewell also teaches voice and piano at Musicology in Newnan.</image:caption>
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      <image:caption>Nicole Lewis (Susannah) | ACO Debut 2024, Tannhauser Ms Lewis received her Bachelor of Music in vocal performance from Birmingham Southern College and Master of Music from Washington University in St Louis. She currently sings with the Atlanta Opera Chorus.</image:caption>
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      <image:caption>Michael Vavases (Sam Polk) | ACO Debut 2024, Tannhauser Michael Vavases is a native of North Georgia with a Bachelor's degree in Vocal Performance from Reinhardt University in Waleska, GA. He performs regularly with churches around Atlanta and can be seen singing with Capitol City Opera a few months out of the year. All performances are dedicated to his wonderful fiancée/Physical Therapist.</image:caption>
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      <image:caption>August Bair (Elder McLean) | ACO Debut 2019, Le Nozze di Figaro August Bair is an Atlanta native and graduated with a BA from Bard College’s undergraduate voice program in New York and went on to complete his masters in voice at Manhattan School of Music (MSM) in New York City where he sang the role of Count Carnero in Johann Strauss’s Der Ziguenerbaron. He sang in the Atlanta Opera’s 2019 productions of Dead Man Walking, Eugene Onegin, and La Traviata. With Brevard Music Center’s Janiec Opera Company, he has performed the role of Doctor Malatesta in Donizetti’s Don Pasquale, covered the roles of Papageno in Mozart’s The Magic Flute and Starveling in Benjamin Britten’s A Midsummer Night’s Dream, and debuted a major role in J. Mark Scearce’s new opera, Falling Angel. In the summer of 2015, August starred in Jonathan Sheffer’s contemporary opera Blood on the Dining Room Floor at the Napa Valley Music Festival. He was Mercutio in Capitol City Opera’s 2020 production of Roméo et Juliette.</image:caption>
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      <image:caption>Allison Nance (Mrs. Ott) | ACO Debut Allison Nance, mezzo soprano, is a performer of opera, oratorio, recital, and musical theatre. Allison holds a Bachelor of Music degree with an emphasis in vocal performance and psychology from Stetson University where she was a student of both Stephen Ng and Mollie Rich and was awarded the William E. Duckwitz Talent Scholarship. Allison is excited to make her role debut with Atlanta Concert Opera. She previously sang with Atlanta Concert Opera in their 2022 production of Berlioz’s Beatrice et Benedict. She is a member of the Atlanta Opera Chorus and most recently performed in their January 2024 production of La Boheme. Other recent productions Allison has performed in include Gounod’s Romeo et Juliette with Capitol City Opera. With Capitol City Opera, she was also featured in their Dinner and a Diva series in October 2015 performing the role of Alisa in scenes from Donizetti’s Lucia di Lammermoor and was a regular member of the Madrigal Singers from 2015-2021. Other notable roles Allison has performed on stage include Cousin Hebe in Gilbert and Sullivan’s H.M.S. Pinafore, Mother in Menotti’s Amahl and the Night Visitors, Selene in Handel’s Berenice, and Mistress of the Novices in Puccini’s Suor Angelica.  As a soloist, Allison was most recently featured in September 2019 in a recital featuring American art song, opera, and spirituals titled Made in America: A Concert of American Art Song &amp; Opera through the Capitol City in Concert Series. In July 2019, she was also a soloist with the Cobb Summer Singers in the Feel the Spirit: Spirituals, Gospel, and Jazz concert through the William Baker Choral Foundation.  Other notable performances include performing Vivaldi’s Gloria, parts 2 and 3 of Handel’s Messiah, Mozart’s Requiem, and Durufle’s Requiem with the Marietta FUMC Chancel Choir, performing the alto solos for Bach’s Ascension Oratorio with the Georgia Symphony Orchestra, and performing alongside the Meridian Herald Chorale as a guest soloist in the concert Higher Ground: Campmeeting Service. Allison is currently on staff as an alto section leader at Holy Innocents Episcopal Church in Sandy Springs. In June 2024, she will be traveling to Scotland on a pilgrimage tour with the Holy Innocents Choir.</image:caption>
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      <image:caption>Victoria Kerr (Mrs. Gleaton) | ACO Debut Victoria Kerr is a soprano from Knoxville, Tennessee. She completed her graduate studies at the University of North Texas with Dr. Stephen Morscheck in 2019 following her undergraduate studies at the Cleveland Institute of Music with Dr. Mary Schiller. Her operatic roles include Lauretta and Nella (Gianni Schicchi), Vixen (The Cunning Little Vixen), Rose (Street Scene), Mrs. Hildebrand (Street Scene), Cherubino (Le nozze di Figaro), Servilia (La clemenza di Tito), Spirit (Dido and Aeneas), Second Spirit (Die Zauberflöte), and La libellule (L’enfant et les sortileges). Performances in scenes productions include Musetta (La bohème), Zerlina (Don Giovanni), Adina (L’elisir d’amore), and Susanna (Le nozze di Figaro). Her musical theatre roles include Christine (The Phantom of the Opera), Maria (The Sound of Music), Rapunzel (Into the Woods), Rizzo (Grease), and Lady Thiang (The King and I). She attended the “Summer Vocal Institute” with guest master class artist, Marilyn Horne, at the American Institute of Rome, where she also performed in a scenes production as Susanna (Le nozze di Figaro). While a graduate student at UNT, she performed Verdi’s Requiem under the tutelage of Dr. Allen Hightower. She went on to perform frequently with Dallas Chamber Choir. This is her first engagement with Atlanta Concert Opera. She was recently in her second “On the Light Side” program with Capitol City Opera as well as CCO’s “Dinner and a Diva: The Phantom of the Opera.” She currently holds the choral scholar position at St. Martin in the Fields Episcopal Church. In addition to performing, she also has experience stage directing, play writing, and teaching both piano and voice lessons.</image:caption>
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      <image:caption>Ibukun Babalola (Mrs. Hayes) | ACO Debut Ibukun Babalola is a Nigerian-American soprano, educator, and production artist currently based in Atlanta, Georgia. Ibukun is an alumna of The University of Alabama where she earned a Bachelor of Music degree and was a principal performer with The University of Alabama Opera Theatre. She also holds a Master of Music degree from the University of Southern Mississippi and frequently appeared on stages throughout the state of Mississippi, including performances with Mississippi Opera, Natchez Festival of Music, FestivalSouth, and Southern Opera and Musical Theatre Company. Ibukun is a dynamic and versatile performer, and she shines in light lyric opera roles such as Zerlina in Don Giovanni and Yum-Yum in The Mikado, and in art song literature, especially modern, contemporary, and new works. In 2019, she made her hometown debut with Capitol City Opera and has since performed the role of Gretel in Hansel and Gretel, covered the role of Juliette in Roméo et Juliette, and has been featured several concert productions, most notably in the title roles in concert productions of La fille du régiment and Treemonisha. Ibukun also has extensive experience in production, direction, and management, beginning as a production assistant, then as an assistant director and apprentice to several nationally acclaimed opera stage directors. Her solo directing work is intimate and engaging, and has been featured by The University of Alabama Opera Theatre and Southern Opera and Musical Theatre Company. In May 2023, Ibukun co-produced Wants &amp; Wishes, a recital in collaboration with pianist and co-producer Jack W. Wagner featuring works by Benjamin Britten, Libby Larsen, B.E. Boykin, and William Grant Still. As a voice teacher and performance coach, Ibukun is known for her holistic pedagogical approach that integrates historical classical technique with contemporary and culturally relevant performance practice. She is currently on faculty at the Atlanta Music Project Academy.</image:caption>
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      <image:caption>John Arnold (Olin Blitch) | ACO Debut 2024, Tannhauser John Arnold is an Atlanta-based singer, actor, writer, podcast host, and multi-instrumentalist. John has performed to great acclaim with opera companies and associated emerging and resident artist programs across the United States, including the Atlanta Opera, Boston Opera Collaborative, Des Moines Metro Opera, Detroit Opera, Kentucky Opera, Knoxville Opera, Madison Opera, the Merola Opera Program, and Opera New Jersey. He is also in demand as a concert and oratorio soloist and has built a reputation for delivering performances imbued with a unique combination of vocal clarity, elegant musicality, and dramatic sophistication. John lives in the Kirkwood neighborhood of Atlanta with his partner, the writer Drew Dotson (drewdotson.com), and their three beagles (threagles).</image:caption>
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      <image:caption>Adriel Baralt Jimenez (Little Bat) | ACO Debut “Jimenez’ lyric tenor was simply beautiful.” - Arts Knoxville, 2022. A native of Santo Domingo, Dominican Republic, Tenor Adriel Baralt Jimenez has performed and competed at many different levels, placing first in SERNATS auditions, and first in the Georgia Southern Concerto Aria Competition. Adriel has recently performed as; the title role in Monteverdi's L'Orfeo, Ruggero in Puccini's La rondine, Tamino in Mozart’s Die Zauberflöte, and Alfred in Strauss’ Die Fledermaus. He is a vivid actor, and involves himself fully within his work. In his free time he is a freelance fashion coach, teacher, and hosts a weekly podcast.</image:caption>
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      <image:caption>Laurie Tossing (Mrs. McLean) | ACO Debut 2019, Le Nozze di Figaro A transplant from Phoenix, AZ, mezzo-soprano Laurie Tossing has called Atlanta home since 2000. She is a regular long-time member of The Atlanta Opera, having performed in more than fifty of their productions. She is also a familiar face on the Capitol City Opera stage, most notably as Gertrude in Gounod’s Roméo et Juliette, and Katisha in The Mikado by Gilbert and Sullivan. Other recent roles include Marcellina in Atlanta Concert Opera’s production of Mozart’s Le nozze di Figaro, and L’enfant in Ravel’s L'enfant et les sortilèges with ATLVocalite. She has also performed as Jenny Reefer in Virgil Thompson’s The Mother of Us All, Bellina in Arthur Benjamin’s The Prima Donna, and Hippolyta in Britten’s A Midsummer Night’s Dream. She is occasionally dragged against her will to join the irreverent opera improv troupe, ImprOper, based out of Dad's Garage in Atlanta.</image:caption>
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      <image:caption>Michael O’Hearn (Elder Ott) | ACO Debut 2024, Tannhauser Atlanta native Michael Blake O'Hearn has been hailed by critics for his abundance of personality, his authoritative singing and acting, and his wide impressive range and rich low tones. Enjoying a full and busy performing career, Michael has appeared in 89 roles to date and greatly anticipates adding to this total in coming seasons. Favorite roles include Pooh Bah in The Mikado, Dr. Bartolo in both Le Nozze di Figaro and II Barbiere di Siviglia, Dr. Dulcamara in L'elisir D'amore, Sulpice in La Fille du Regiment and the title roles of Don Pasquale and Gianni Schicchi; as well as the Oratorios Elijah, Messiah, Creation and the Requiems of Faure, Mozart, Brahams and Verdi. Mr. O'Hearn has previously been featured with the Amarillo Opera, Atlanta Opera, Augusta Opera, Bronx Opera, Chelsea Opera. DiCapo Opera Theater, Little Orchestra Society of New York, Long Island Choral Society, Mississippi Opera, National Lyric Opera, NYCO National Company, Opera Carolina, Opera Orchestra of New York, Oswego Opera, Piedmont Opera, Sarasota Opera Association and Tulsa Opera. He currently holds the Bass Staff Singer position at Fayetteville First United Methodist Church and formerly at Christ Church Bronxville, NY (with Philip Stopford.) Michael pursued a Vocal Performance Degree at Georgia State University and continued his studies with the American Institute of Musical Studies in Graz, Austria and has been a finalist and prize winner in the AIMS Meistersinger Competition. Michael studied privately in Atlanta with Elizabeth Nohe Colson and participated in the Sarasota Opera Association Apprentice Program. He has also served as Artist in Residence for the Long Island Choral Society and received the Choral Guild of Atlanta Fellowship for 8 consecutive seasons.</image:caption>
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      <image:caption>Raj Das (Elder Gleaton) | ACO Debut Sounak “Raj” Das is a tenor with significant opera, choral, and oratorio experience. Raj has won several National Association of Teachers of Singing (NATS) awards, including a first-place finish in the 2021 Indiana and 2021 Great Lakes Region competitions. Roles from major works that Raj has performed include Miles from Missy Mazzoli’s modern opera Proving Up, Ferrando from Mozart’s Cosi fan Tutte, and the tenor solo in Handel’s Messiah. His choral experience includes singing with the University of Michigan Men’s Glee Club, Philadelphia Symphonic Choir, and Concordia Choir at the University of Notre Dame. Raj is a proud alumnus of the University of Notre Dame’s Sacred Music program and the University of Michigan School of Music, Theatre, and Dance. He currently resides in his hometown of Atlanta, Georgia.</image:caption>
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      <image:title>Susannah Bios - Make it stand out</image:title>
      <image:caption>Matthew Boatwright (Elder Hayes) | ACO Debut Born and raised in Atlanta, Georgia, Matthew Boatwright is an aspiring tenor whose experience spans a variety of styles, including opera, musical theater, sacred, rock, and metal. Recently he has performed with the Atlanta Opera Chorus in their 2021-2022 season, with appearances in their production Il barbiere di Siviglia. Matthew has been a member of the Atlanta Opera Chorus since 2017, collaborating in previous shows such as Carmen &amp; Turandot. In 2019, he performed Sam in Trouble in Tahiti at Kennesaw State University’s Opera Theater Company. Mr. Boatwright holds a degree from Kennesaw State University and is currently looking towards his next step of attending graduate school</image:caption>
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      <image:title>Susannah Bios - Make it stand out</image:title>
      <image:caption>Antonio Ruiz-Nokes (Townsperson &amp; Elder McLean Cover) | ACO Debut Baritone Antonio Ruiz-Nokes hails from Boston, MA and is excited to return to Atlanta Concert Opera after his company debut with Tannhäuser! Ruiz-Nokes has also performed in productions of The Pirates of Penzance, La bohème, L’Orfeo, and Les aventures du roi Pausole and served as choirmaster for El barberillo del Lavapiés. He earned his Bachelors of Music in Vocal Performance and Music Education from the Bienen School of Music at Northwestern University where he sang with both the Bienen Contemporary Ensemble and the University Chorale. He currently serves as the bass staff singer for St. Bartholomew’s Episcopal Church in Toco Hills.</image:caption>
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  <url>
    <loc>https://www.atlantaconcertopera.com/falstaff</loc>
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    <lastmod>2025-06-28</lastmod>
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      <image:title>Falstaff - Make it stand out</image:title>
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  <url>
    <loc>https://www.atlantaconcertopera.com/falstaff-bios</loc>
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    <lastmod>2025-06-28</lastmod>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>Michael O’Hearn (Falstaff) | ACO Debut 2024, Tannhauser Atlanta native Michael Blake O'Hearn has been hailed by critics for his abundance of personality, his authoritative singing and acting, and his wide impressive range and rich low tones. Enjoying a full and busy performing career, Michael has appeared in 89 roles to date and greatly anticipates adding to this total in coming seasons. Favorite roles include Pooh Bah in The Mikado, Dr. Bartolo in both Le Nozze di Figaro and II Barbiere di Siviglia, Dr. Dulcamara in L'elisir D'amore, Sulpice in La Fille du Regiment and the title roles of Don Pasquale and Gianni Schicchi; as well as the Oratorios Elijah, Messiah, Creation and the Requiems of Faure, Mozart, Brahams and Verdi. Mr. O'Hearn has previously been featured with the Amarillo Opera, Atlanta Opera, Augusta Opera, Bronx Opera, Chelsea Opera. DiCapo Opera Theater, Little Orchestra Society of New York, Long Island Choral Society, Mississippi Opera, National Lyric Opera, NYCO National Company, Opera Carolina, Opera Orchestra of New York, Oswego Opera, Piedmont Opera, Sarasota Opera Association and Tulsa Opera. He currently holds the Bass Staff Singer position at Fayetteville First United Methodist Church and formerly at Christ Church Bronxville, NY (with Philip Stopford.) Michael pursued a Vocal Performance Degree at Georgia State University and continued his studies with the American Institute of Musical Studies in Graz, Austria and has been a finalist and prize winner in the AIMS Meistersinger Competition. Michael studied privately in Atlanta with Elizabeth Nohe Colson and participated in the Sarasota Opera Association Apprentice Program. He has also served as Artist in Residence for the Long Island Choral Society and received the Choral Guild of Atlanta Fellowship for 8 consecutive seasons.</image:caption>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>Megan Reader (Alice Ford) | ACO Debut 2020, An Evening with the Bard Megan Reader sang with “simplicity and charm” (The Boston Globe) in her Boston Symphony Hall debut as soprano soloist in Haydn’s Creation. Ms. Reader gave her international debut as “Die Königin der Nacht” at the Amalfi Music Festival in Italy. Megan began singing with the Atlanta Opera Chorus in 2008, where she made her solo debut as a “Daughter” in Philip Glass’ Akhnaten. She went on to sing various comprimario roles and special events with the company, including “Barbarina” in their production of Le Nozze di Figaro. Her performed roles include: “Adina” in L’Elisir d’Amore with New Rochelle Opera, “Valencienne” in The Merry Widow with Capitol City Opera, “Cunegonde” in Candide with Georgia TAG, Vera in Hoiby’s A Month in the Country, “Lady with a Handmirror” in Argento’s Postcard from Morocco with Boston University’s Opera Institute, and “Susanna” in Le Nozze di Figaro with L’Orchestra da Camera Boston. As soprano soloist, Ms. Reader sang Brahms’ Ein Deutsches Requiem at Emory, Schubert’s Mass in G with the Asheville Symphony, Haydn’s Lord Nelson Mass and Mozart’s Mass in C Minor with Clemson University. As a guest artist, Megan has sung with the Atlanta Gay Men’s Chorus, the Ludwig Symphony, the Albany Symphony, gloATL, the Michael O’Neal Singers, the Atlanta Opera’s “Opera with an Edge” and Manhattan enCanta. Megan was a Young Artist with the Texas Music Festival’s Le Chiavi di Bel Canto, where she worked with RuthAnn Swensen, as well as, the Opera Studio for the American Institute of Musical Studies in Graz, Austria. As a soloist with Morningside Presbyterian of Atlanta’s Chancel Choir, Ms. Reader has sung Vivaldi’s Gloria, the Fauré Requiem, the Rutter Requiem, and many other great works. Megan sang the soprano solos from Mozart's Requiem in d minor in Vienna's Votivkirche, as well as concerts in Mondsee, Vienna, and Prague. Recently, she tried on the roles of "Mimi" from La Boheme, "Rosalinda" from Die Fledermaus, and the titular role of "Maria Stuarda" by Donizetti with Capital City Opera's Dinner and a Diva series. Lately, she has traveled regionally giving a recital featuring Purcell songs, the lieder of Richard Strauss and Josef Marx, and songs by Stephen Sondheim.</image:caption>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>Laurie Tossing (Dame Quickly) | ACO Debut 2019, Le Nozze di Figaro A transplant from Phoenix, AZ, mezzo-soprano Laurie Tossing has called Atlanta home since 2000. She is a regular long-time member of The Atlanta Opera, having performed in more than fifty of their productions. She is also a familiar face on the Capitol City Opera stage, most notably as Gertrude in Gounod’s Roméo et Juliette, and Katisha in The Mikado by Gilbert and Sullivan. Other recent roles include Marcellina in Atlanta Concert Opera’s production of Mozart’s Le nozze di Figaro, and L’enfant in Ravel’s L'enfant et les sortilèges with ATLVocalite. She has also performed as Jenny Reefer in Virgil Thompson’s The Mother of Us All, Bellina in Arthur Benjamin’s The Prima Donna, and Hippolyta in Britten’s A Midsummer Night’s Dream. She is occasionally dragged against her will to join the irreverent opera improv troupe, ImprOper, based out of Dad's Garage in Atlanta.</image:caption>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>William Green (Dr. Caius) | ACO Debut 2020, An Evening with the Bard William Green, tenor, made his professional debut with The Atlanta Opera in 2013 as Giuseppe in La traviata; he has sung with TAO in both comprimario roles as well as a core member of the chorus from 2012-2020. Mr. Green made his Capitol City Opera Company debut as Pedrillo in The Abduction from the Seraglio; in addition to joining CCOC in each of their main stage presentations, Mr. Green has also performed in their Dinner and a Diva and On the Light Side programs. In March 2020, he performed the role of Tybalt in Gounod’s Roméo et Juliette. Most recently he performed Canio in Pagliacci for their 2022 Dinner and a Diva series. He is also a co-manager of the Atlanta chapter of Opera On Tap. Mr. Green is a proud alumnus of the American Wagner Project through the Institute for Young Dramatic Voices. He is also pleased to work with the Wagner Society of Washington D.C., having performed multiple recitals for them.</image:caption>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>Daniel Weisman (Bardolfo) | ACO Debut 2019, Le Nozze di Figaro Daniel Weisman is a tenor (sometimes) who sometimes sings high notes and believes that he is very funny. He’s a director in that he likes to boss people around and a producer in that he likes to tell them what do sing. He’s sung a lot of places, most of which you’ve probably never heard of, and is a recovering Ohioan. He knows a lot of repertoire (but not too much) and has sung for a lot of people (but not too many) that you may or may not have heard of and may or may not be impressed by. Recently he has been heard singing somewhere, potentially in his shower, much to the dismay of his harshest critic, his cat, who does not believe that he would be a believable Taylor Swift onstage.</image:caption>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>August Bair (Ford) | ACO Debut 2019, Le Nozze di Figaro August Bair is an Atlanta native and graduated with a BA from Bard College’s undergraduate voice program in New York and went on to complete his masters in voice at Manhattan School of Music (MSM) in New York City where he sang the role of Count Carnero in Johann Strauss’s Der Ziguenerbaron. He sang in the Atlanta Opera’s 2019 productions of Dead Man Walking, Eugene Onegin, and La Traviata. With Brevard Music Center’s Janiec Opera Company, he has performed the role of Doctor Malatesta in Donizetti’s Don Pasquale, covered the roles of Papageno in Mozart’s The Magic Flute and Starveling in Benjamin Britten’s A Midsummer Night’s Dream, and debuted a major role in J. Mark Scearce’s new opera, Falling Angel. In the summer of 2015, August starred in Jonathan Sheffer’s contemporary opera Blood on the Dining Room Floor at the Napa Valley Music Festival. He was Mercutio in Capitol City Opera’s 2020 production of Roméo et Juliette.</image:caption>
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      <image:caption>Lucy Miller (Nanetta) | ACO Debut 2019, Le Nozze di Figaro Lucy Miller received her Bachelor’s degree in Vocal Performance from The Ohio State University and her Master’s degree in Vocal Performance from Georgia State University. Her favorite opera roles have included Zerlina in Mozart’s Don Giovanni (The Ohio State University and Georgia State University), Miss Wordsworth in Albert Herring (Trentino Music Festival and Georgia State University), and Susanna in Le Nozze di Figaro (Berlin Opera Academy and Atlanta Concert Opera). She has performed internationally in Italy, Austria, and Germany, in addition to winning first place in her category at the Georgia State and Regional National Association of Teachers of Singing Competition and becoming a finalist at the Orpheus and Opera Guild of Atlanta competitions. Ms. Miller has also performed professionally with Peach State Opera, Opera Columbus, Atlanta Concert Opera, the Atlanta Boy Choir, and Capitol City Opera. She currently resides in Decatur, Georgia with her husband and enjoys exploring dream opera roles, jazz, and golden age musical theater in her free time.</image:caption>
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      <image:caption>Cameron King (Fenton), ACO Mainstage Debut Cameron King, Tenor, recently graduated with his Master of Music in Voice Performance at the Indiana University Jacobs School of Music under the tutelage of Grammy award winning mezzo Michelle DeYoung. Originally from Central Florida, Cameron graduated with his Bachelor of Music in Voice Performance from Florida State University as a student of renowned tenor Jeffrey Springer. While studying at FSU, Cameron appeared in operatic classics such as Puccini's La Boheme, Marschner's Der Vampyr, Gluck's Orphée et Eurydice, Berlioz's Béatrice et Bénédict, and Gilbert and Sullivan's Patience, as well as newer works such as Carlisle Floyd's Of Mice and Men. Cameron also performed with Teatro Lirico D'Europa in a travelling performance of Puccini's Tosca. During the 2021 season, Cameron was the first-place winner of the Charleston International Music Competition, first-place winner of the Southeastern NATS Student Auditions, third-place winner of the NATS National Student Auditions, and finished the 2021 season portraying Fenton in Indiana University’s production of Verdi’s Falstaf. During the 2022 season, Cameron portrayed the roles of Alfred and Dr. Blind in Strauss’ Die Fledermaus with Lyric Opera Studio Weimar. During the 2023 season, Cameron performed the title role in Bernstein’s Candide with the Jacob’s School of Music, as well as performed excerpts from Carmen and La Bohème in the Jacobs scenes program. Cameron finished 2023 as a resident artist at the Castleton Festival in addition to performing with the Atlanta Opera, singing in the chorus of Verdi’s Rigoletto as well as portraying the Prune Man in their 2024 production of La Bohème. Most recently, Cameron revisited the role of Candide with the Lithuanian National Opera and Ballet.</image:caption>
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      <image:caption>Isabella Chaney (Meg Page) | ACO Mainstage Debut</image:caption>
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      <image:title>Falstaff Bios - Make it stand out</image:title>
      <image:caption>Jacob Lay (Pistola) | ACO Mainstage Debut Jacob Lay, baritone, is an Atlanta native who has performed with several opera companies and music festivals across the country including The Atlanta Opera, Knoxville Opera, Marble City Opera, and Cedar Rapids Opera. He holds degrees in vocal performance from the University of Tennessee, Knoxville, and Simpson College. Notable roles he has performed include Papageno in Die Zauberflöte, Antonio in Le Nozze di Figaro (Knoxville Opera), Eisenstein in Die Fledermaus, and The Thug in the world premiere of 'I Can't Breathe’ by Leslie Burrs and Brandon Gibson. Jacob is passionate about performing the works of underrepresented composers like William Grant Still and Dorothy Rudd Moore.</image:caption>
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  </url>
  <url>
    <loc>https://www.atlantaconcertopera.com/cavpag</loc>
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    <lastmod>2026-03-28</lastmod>
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